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Dance Star Matthew Ball on Grueling Roles and Online Scrutiny: 'I'm Not Precious About My Body'

In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is effortlessly upright, his limbs muscular beneath a plain tee. On stage, ballet dancers can appear as mighty deities, yet often offstage they are petite. Not so Ball, whose height is one reason for his popularity for heroic roles and partnering. Possessing fine features and piercing eyes, there's a hint of a brooding actor about him.

An Apparent Ascent to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Raised in Liverpool, he encountered minimal teasing for his childhood passion in ballet. Joining the Royal Ballet School at 11, he moved straight into the company and was advanced annually, attaining the highest position of lead dancer in 2018. He has relished tackling meaty characters, especially the psychological angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His next featured role is as himself, in an "Evening With" event designed to offer intimate insights into a performer's craft. He will walk the crowd through a role, demonstrating his mental process during execution. Yet in lighter ballets, the challenge is profound. "Don Quixote is one of the most demanding from a skill perspective," he states.

The Mental Struggle and After the Show Emotions

What about following a show, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the character, frequently I do feel embarrassed afterwards. After Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. Yet a choreographer once remarked on a "kind of suffering in him." Is there? "I'm quite active usually, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Early Motivations and Creative Influences

Ball's determination originated in youthful setbacks. Not doing well in competitions at school made him "vengeful!" This became motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

The next challenge is creating his own dance works. In his view, "organic movement has value." "Breaking the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from books, compositions, and art.

Close-Up Performance and Personal Partnership

He also is interested in presenting dance in more intimate spaces. "It was just really thrilling," he says of a past experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has made pieces with his partner, fellow principal Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They are not usually matched on stage at their home company, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."

On Social Media and Physical Perception

On social media, fans can see videos from his projects and images that showcase a sculpted physique. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be seen on various ways.

Ball describes his early self as "desperate for success." Did it met his hopes? "I feel very aware of how life is a different thing to the dreams you made as a child," he reflects. He probably has another ten years of dancing ahead. "I suppose in the future, I want to be a bit more kind with myself."

Written by

Emily Brewer

A seasoned casino strategist with over a decade of experience in slot machine analysis and gaming optimization.

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